Colloquies for a Soothsayer, Merciful, and His Drunken Dog (or Perhaps It Was The Other Way Around)
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2025
20 minutes, Los Angeles
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with leanna fodor, toria kahni shi, moses hamborg, tara zorthian, vinny luciani, and alan poma
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documentation by sevrin ​​haggerty
COLLOQUIES FOR A SOOTHSAYER, MERCIFUL AND HIS SPIKED DOG
(OR PERHAPS IT WAS THE OTHER WAY AROUND)
Dans la soirée…
I am terrified/ and yet
Still
I return Here
(To the page)
All things aching in my bones. Taking the shoes off at the door:
What are your thoughts on this?
They enter anyway/ It is like later finding out the photograph came out blurry. Dissolution of the mind. Saturated emptiness. Even now there are two Golden Green beetles caught in a web but will set themselves free. I do not look in which direction, but I am assuming they do not either. The flee. The bricks laid.
And the seasickness?
I must say I am always somewHere Else. This sickness is from the always already lost – a plague at sea and on land. The time laid out like an arc, growing away from me. He sleeps so gently.
Eyes nighttime shore. No awaking, no receding.
He always slept so gently. I think it was because there was nothing to talk about.
But he would make sure to fuck me every time before closing his eyes, So brutally tender.
He opens his eyes as I walk out the door, every time.
You look back?
Every time.
I think of it as walking into the night blindly. Always looking the other way. My love has already gone and laid its weavings into the shallows, dreams unfurl and knot in the little motions of treading water. Still I must carry on, Here it is in front of me. There is nothing left to do. I try to take a photograph, but it changes its shape and something does not feel right about it. Nothing left to press the lips to (a goodbye).
Oh,
I see…
It makes me think of this work – The Kiss by Constantin Brancusi from 1912. Two lovers in stone, with their weaving hair, arms wrapped so tightly the right hand holds the same lover’s left, a totality, bellies pressed tight, bulging in one direction, lips pressed tight in a line. Most importantly, the eyes. Their eyes, pressed so tightly with an edge, forms a single cycloptic eye. They become One in so many ways, just through The Kiss. The belly bulged out presses into the lover’s, making a cavity of pregnancy – or of one sharing Inside the other.
I always thought, maybe they were both looking away – One
Eye open.
Could be.
There would be so much to miss, being stone with eyes closed. Even lovers would tire and give up secrets after that long. Do you think that they even still enjoy the kiss?
I think that is beside the point – I think it can be, too, that a single moment be turned into stone (be in the body or in the memory), and then we must learn to carry it. Burning. This ‘looking the other way’ is an acknowledgement of Here and Gone, if anything. They look out knowing that the next moment will only come Haunting, the time it takes for a stone to change. There is no fear. It will outlive the memory. I would think the holding on would be most difficult.
What were you saying about Fatigue?
Ah, yes. Fatigue. I saw this lecture tonight, with Tacita Dean. She has always been something separate from me as an artist. – I will not speak about it here... After the lecture I give her the book which has the underlined sections in which I referenced in my text [Also,], which is of her Selected Writings. There is a section titled Collections. I open to the page:
You want me to sign the page?
Yes.
She writes: For Logan Best wishes Tacita Dean 24.9.23 Los Angeles.
After Logan in the swift line that makes up a clover, the fourth leaf bends in or folds over itself onto the line making itself one of disappearance. She must have known I have never found a four leaf clover. Even Tacita withholds this life from me. It becomes three.
It must be so exhausting.
I think it is just bad luck. Here, I will tell you another story:
One night, Sonshine laid himself upon my bed. In the memory of another I closed my eyes, exhausted. He knows how to make a way with it and turns me to my stomach. One hundred kisses. How does that feel? and One hundred more. Still, I am in my abandoness. Vast field, the hole dug out. There is no word for this I think. He asks it again, and One hundred more. The only thing that grips my mind is a line of my own. It hurts me most to say it to anyone but you, even without the Pain: Like a landscaped arched bridge.
What?
Like a landscaped arched bridge –
Comes out like a weeping word onto a blade, makes a puddle of it on the pillow. This is just like the first time.
He says nothing, and One hundred more. I do not say a thing about the pain under my right hip bone when he moves his hand at 5 mm a minute.
It is all just a betrayal to the word…
…
… like I was saying about the photograph coming out blurry. It is the closest I have ever gotten to discovering it.
It says:
YOU ME
LOVE …
in sharpie on a red collared shirt. It flees me in my attempt to capture. Even when I am this close the words, the memory of them, they always depart from me. A place of their own mystery. I refuse to know.
Like the fourth leaf,
Now it is just something else.
The ticking of the stove,
The Flame.
I want to be made up of so many things.
…Hm,
I will tell you what I have learned, on returning, :
EESSAYY ON RETURNING
One hundred and seventy eight days since I’ve returned to Goleta.
Nothing is the same. The ways I go. The gates. But the air is ripe:
This is how you know you are close. Like smoke filling the lungs now:
Eucalyptus, the burning of You in longing. A curving edge around the world.
Reasoning of SkyOcean, it is only even more difficult to understand now.
So much more mystery, So much more we Are not.
Too this landscape of love is too wounded now, Makes a path for it.
This eulogy of my body, the memory of you. How easily I’ve become Scar.
There is no map to this place. I [rejoice in having known]. It still
vibrates me, this resonance, volumes of changing. Sun beating down.
You, making your way through, I
or so I imagine. Day’s not green. No more stars fallen to earth. No more
Blue eyes of distance. Everything is burnt now. The hand on his back
mountains now. Particles of a dream. He looks out towards it, Me into him.
Death finds its comfort. Nothing and Everything remains. Though,
I know why I’ve come back. For four years, every day
I used to imagine what it would be like to drive off the Howard Franklin
Bridge. One day it happened, someone drove off and into the water.
(The water was dark this day).
There’s images of them pulling the car out of the water –
windshield all busted out like a broken frame, Or a wish,
He carries on. It is just another day of loneliness. Not always the I that I am.
Now it’s Goleta that haunts me. Sometimes, (in my pool), I drive to the edge,
I think, Goleta, you will be the place I drive into the Pacific, And what
Cold waters would be my Savior?
I think this cliff, at 11:51 Pm on a Sunday, will do just fine. Different things of
nothingness. The light there on the edge. Reaching out.
Somewhere tells me you are Here too.
I have seen it. Oh, what bitter white crisp edge can I make myself now,
foaming too towards cowards. Everything dissolves, everything dissolves.
How fast?
80 mph, or So I’d like to go, Dreaming. Oh, this is Forever. Here. In a Star.
A Son. Always different.
Nothing right about this.
Sometimes it is best to go in secret.
How high?
I’ve never looked only I go/
…Well, I guess it is this silence I know most.
I wish I could but I am not.
A person.
A lover.
Too much passion.
I just wanted to say to you.
Sewing back the pieces.
A rip.
Dilaptided lover.
Paths for you, I
Crosses of doubt.
Burning, opening up to you.
Burns me too.
It is the light coming in, at this moment only, That saves me most.
He plucks the hair from his ears, to keep the wisdom Down/
I guess I should say something about Returning now…
Once you were Here in a candlelit room, wondering where the wax goes.
Curtains the door. Little things hidden. Always something else not said.
Moonlight. He makes love to me but it is most like an abuse, I
Think of cold waters more than ever now. All was surrounding me.
Almost heaven. Vapeurs d'amour, he whispers. And it is like a bite.
I cannot help but look the other way, despite the distinct pleasure.
As long as you want. Takes me to another room but feel the same.
This is where you are supposed to lie, and to make a dream come true,
in the treasure of a flooded spotlight night, if you can remember.
