Logan Wolfe is a processual artist working across performance, installation, and material-based practices to investigate contradictions and dualities within the poetics of queer life and desire. Through modes of durational time, repetition, and gestures of waiting, he attempts to discern desire’s momentum of escape by channeling the fugitive trace, questioning possibilities of ethical documentation. The work shows gestures given a fluid form and language: Documentation as Ephemera, Installation, Movement, Touch, Sound, Intervention, and Actions towards an undoing of conventional archival practices. Such gestures seek to move through how transient histories and knowledge persist as mutable embodiments that unstabilize institutional frameworks.
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Central to his practice is the body as a site of the living archive, where memory, absence, and intimacy are held and transmitted beyond captural forms of documentation. Informed by legacies of AIDS activism and the ongoing impact of the HIV/AIDS crisis, Logan’s work attends to histories marked by loss, care, and the urgent need for alternative forms of remembrance. His performances and installations activate touch, proximity, and material transformation to challenge alternative modes of archiving grounded in temporality, relation, and sensation. Often working collaboratively, Logan creates environments where bodies and materials co-produce meaning, foregrounding the persistence of presence through fragmentation, delay, and return.
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Logan received his MFA in Art from the California Institute of the Arts (2024) and his BFA in Sculpture from the University of South Florida (2022). His work has been presented internationally, including at La Raffinerie - Charleroi Danse (Brussels), Target Margin Theater (New York City), CALETA (Mexico City), and across Los Angeles. He has participated in residencies at CALETA (Mexico City), High Desert Observatory (California), and Charleroi Danse Theater (Brussels). With collaboration as a central key to Logan’s practice, he has had the opportunity to work with notorious artists on large scale projects such as Terence Koh for the Performance Art Museum at Catch One Los Angeles (2024), CLOSING P: a performative score in part of the closing ceremony of MPA’s solo show Series Collapsed at Night Gallery, Los Angeles (2023), and Laura Lima in the presentation of her two month solo exhibition Balé Literal at Tanya Bonakdar Gallery, New York City (April 2025).
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